Qara-Xuan Zenith wrote:What do you mean by "an important area of reality"? Because the characters are touching things all the time, without a continuous echo trail.
H22 wrote:Maybe some places are more susceptible to echoes. Pan (and, by extension, us) need to find these weak spots to create an echo. A bit like the witch's wormholeThere are 2/3 echoes in NY; clearly there the creative spirit is so strong the soft spots are created
Qara-Xuan Zenith wrote:But if WE try to get them to invoke a trope, without them knowing what they're doing...
Crazy Enough to Work?
Sicon112 wrote:Qara-Xuan Zenith wrote:But if WE try to get them to invoke a trope, without them knowing what they're doing...
Crazy Enough to Work?
Well, it's what Mr. A did...
Scarab wrote:Mister A/Cinderella New Ship!
Qara-Xuan Zenith wrote:Scarab wrote:Mister A/Cinderella New Ship!
Oh, that ship's been sailing for a while now. Administrator Prime + Cinderella = OT(oo) That's my best representation of the sideways-8 infinity sign.
H22 wrote:My theory: (Wall of Text)
Echoes are where, as someone said, a character acts like a trope. When a character leaves an author's mind, the fourth wall deteriorates when they cross it. So when there are places lots of characters and tropes have come through, the 4th wall deteriorates. Where the gap between reality and fiction is merged, a trope comes through. All of the places where echoes come through is where writers lived and wrote. [Off Topic: EVERY SINGLE TROPE has been in America, but the Witch is the only American character.] Pan's soft places are presumably where the tropes and characters came through and weakened the 4th Wall.
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